NGUGI WATHIONG'O'S DETENTION
Abstract
The publication of Ngugi wa Thiong'o's fourth novel Petals of Blood in July 1977 was hailed as a major event in Kenya's young literary history. Ngugi, the country's best-known author, had not published a novel for ten years, and here a| last was Wockbuster, his longest and most complex work of fiction. The book was formally launched at a public ceremony in Nairobi by Mwai Kibaki. Then Ministry of Educa-tion officials were talking about adopting it as a prescribed text for the "A'"-Level School Certificate Examination. Booksellers in Nairobi had difficulty keeping up with the demand for the novel, and Heinemann East Africa luid to airfreight more copies from its London headquarters when supplies became depleted after only a few weeks. In short. Petals of Blood was a huge success, and the publicity surrounding its publication thrust Ngugu back into the national lime-light. July 1977 was pro-bably the supreme highpoint in his career as a writer.References
NOTES
Micere Githae-Mugo, then a Lecturer in the Department of Literature at the University of Nairobi, had been interrogated, physically abused by police, and held in prison for a few days early in 1978; no formal charges were ever brought against her and she was not detained. She co-authored a play with Ngugi wa Thiong'o, The Trial of Dedan Kimathi (Nairobi: Heinemann East Africa, 19761, which imaginatively reconstructed an episode in the life of Kenya's most famous Mau Mau leader. The play had been performed in Nairobi in October 1976 and had been one of two plays chosen to represent Kenya in the drama competition at the Second World Black and African Festival of Arts and Culture (FESTAC) held in Lagos in January and February of 1977.
See, e.g., Weekly Review, 27 June 1979, pp. 39-40; Nairobi
Times, 6 November 1977, p. 11; Viva, July 1977, pp. 35-36; Daily
Nation, 15 July 1977, p. 14.
Sunday Nation, 17 July 1977, p. 10.
Mungai wa Kamau, "Ngugi play banned because 'provocative'." Nairobi Times, 4 December 1977, p. 1.
This summary is based on several reviews of, the play: Karugu Gitau, Weekly Review, January 1978, p. 13; Maguyu K. Maguyi^, Weekly Review, 25 April 1980. p. 17.
For a brief history of the production, see Weekly Review 9 January, 1978, pp. 11-12 Ngugi wa Mirie, "Kamirithu Literacy Project", Kenya Journal of Adult Education, 7, 1 (1979), 7-10; Ngugi wa Thiong'o ' "For the first ime, the people could see themselves,", Guardian, 11 June 1980, p. 15; Miriam Kahiga, "Kamirithu Revisted," Daily Nation, 19 January 1979, p. 11; and Ahmed Rajab, "Detained in Kenya," Index on Censorship, 7, 3, (1978), 7—10. Ngugi wa Thiong'o and Ngugi wa Mirii have also prefaced the published version of Ngaahika Ndeenda (Nairobi: Heinemann East Africa, 1980) with an account, in Kikuyu, of the production.
Weekly Review, 5 January 1979, p. 32.
See Mungai wa Kamau, p. 1, and Fibi Munene, "The Last Word, Daily Nation, 14 December 1977, p. 19.
Standard, 9 March 1979, p. 1; Weekly Review, 16 March 1979,
pp. 21-22.
Daily Nation, 28 April 1979, p. 24.
Daily Nation, 5 May 1979, pp. 1,24, Weekly Review, 11 May
, p. 23.
Quoted from "A Brief Report on USD's Struggle to Have Prof. Ngugi Resume His Duties at the University", mimeographed newsletter of the University Academic Staff Union (ca. May 1980), pp. 55—56. Weekly Review, 20 July 1979, p. 13.
Daily Nation, 1 August 1979, 4; Weekly Review, 3 August 1979,
pp. 5—6.
Weekly Review, 24 August 1979, p. 11; Daily Nation, 21 August
, p. 20; Standard, 21 August 1979, p. 2.
Standard, 12 June 1980 p. 2; Sunday Nation, 15 June 1980, p. 5.
Weekly Review, 11 July 1980, pp. 10-11.
Weekly Review, 18 July 1980, p. 4.
United States Department of State Bureau of Public Affairs, "Horn of Africa," Current Policy, No. 141 (25 February 1980) p.3.
BBC African Service, Arts and Africa, No. 347G (1980). p. 1.
Ngugi wa Thiong'o "The Making of a Rebel," Index on Censorship, 9,3, (1980), 24.
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