A Stylistic Analysis of Chimamanda Ngozi Adichie's ‘The Thing Around Your Neck’
Keywords:
Style, Point of View, Second Person Narrative, Stylistic AnalysisAbstract
A narrator’s role in a story and his relationship with the characters are determined by the point of view from which the story is told. Sometimes he is a character in the story and the story is viewed from his perspective; at other times, he is an omniscient narrator, telling the reader about all the characters in the work. On very few occasions the audience is a character and the story is viewed from their point of view. This paper discusses the linguistic techniques, language choice and their effects in the realisation of Chimamanda Ngozi Adichie's short story, ‘The Thing Around Your Neck’. It explores the author's rare style of the use of the second person narrative perspective all through the entire work which, among other things, makes the reader not just a member of the audience, but a part of the action. This style is of particular interest to this research and discourse on its application runs through the major part of the work. A stylistic analysis of the text is adopted in order to assist readers in making proper meaningful interpretation of the story, and thereby increase their appreciation of the work.References
Achebe, Chinua. Civil Peace. Michigan: Gale; Study Guide,1971.
Adichie, Chimamanda Ngozi. The Thing Around Your Neck. Lagos: Kachif, 2009. Banfield, Ann. Unspeakable Sentence: Narration and Representation in the Language of Fiction. Boston: Routledge, 1982. Online.
Berve, Caitlin. First Person Point of View: Benefits and Pitfalls. https://www.ignite dinkwriting.com/ignite-your-ink-blog-for-writers/tag/first+person+point+of+view (Accessed Wednesday, 26th October, 2022, 11.00)
Carter, R. “What is Stylistics and Why Do We Teach it in Different Ways?” Reading, Analysing and Teaching Literature. Ed. M. Short. London: Longman, 1989. Online.
Ekwensi, Cyrprian. Jagua Nana. UK: Heinemann, 1975. Print.
Fludernik, Monika. “Second Person Narrative as a Test Case for Narratology: The Limits of Realism”. Art, Linguistic Style. Vol. 28:3, 1994. pp. 445-479 https://www.semanticscholar.org (Accessed Wednesday, 17th November 2022, 22:45.)
Genette, Gerard. Narrative Discourse Revisited. Ithara: Cornell UP, 1988. Trans. of Nouveau Discours du recit, 1983. Online.
Harnby, Louise. Making Sense of Print of View. USA: Amazon Books, 2020. Online. Madden, David. “Novel, Short Story” Microsoft (R) Enearith (R) [DVD] Redmond,
WA: Microsoft Corporation, 2008.
Nwapa, Flora. Efuru. Illinois: Waveland Press,1966.
Robbins, Jodie. Second Person Point of View: When and How To Use It. Oxford, UK: Jericho Writers, 2022. Online.
R o s s , B r i t t n e y. F i r s t , S e c o n d a n d T h i rd P e r s o n i n Wr i t i n g . https://www.grammarly.com/blog/first-second-and-third-person/ (Accessed Wednesday, 26th October, 2022, 12:00).
Smailes, Gary. Third Person Point of View: A Comprehensive Overview for Writers (Including Examples). https://bubblecow.com/blog/third-person-viewpoint (Accessed Tuesday, 15th November, 2022, 15:45)
Stanzel, Franz Karl. A Theory of Narrative. Cambridge: Cambridge UP, 1984.
Online.
Tutuola, Amos. The Palmwine Drinkard and His Dead Palm-Wine Tapster in the Dead's Town. UK: Faber and Faber; UK Grove Press, 1952. https://www.pdfdrive.com (accessed Tuesday, 16th November 2022, 19:30)
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Journal of the Literary Society of Nigeria

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.